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How ‘Don’t Worry Baby’ gave Harry a shocking change of key scenes

How ‘Don’t Worry Baby’ gave Harry a shocking change of key scenes

Brake alert: Don’t read unless you see Don’t Worry Baby in theaters now.

Olivia Wilde’s Don’t Worry Baby is set in the utopia of Project Victory in the 1950s. Alice (Florence Pugh) and Jack (Harry Styles) are residents of a secluded desert town, where husbands routinely commute to work, wives bid farewell, take ballet lessons and attend dinner. It’s a “Stepford Wives” script.

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But all is not well, as the women must stay away from their husband’s office building, Victory HQ, and are not allowed to know what they are doing at work. Soon, Alice begins to suspect that greater secrets lie beneath the surface of their perfect life. After a neighbor goes missing, you dig deeper.

In the film’s second act twist, viewers learn that Project Victory is a virtual reality world in the present day where men can control women and turn them into “ideal wives”. In the real world, Jack is out of a job and sits at his computer all day, listening to a cult-like podcast in which Alice works long hours in the emergency room – until he takes her captive and forces her into a simulation.

Incel Jack is very different from Victory Jack. Gone is his sleek, cool, “Mad Men” look. Instead, he is unattractive with his ill-fitting clothes, long, thinning hair with grease and a face full of acne.

Head of Hair Jamie Lee McIntosh and Head of Makeup Heba Thoresdottir spent two hours working on the look that’s buzzing the internet.

The key, Macintosh says, is not to push Styles to the point where his new appearance would be a joke. “It was about finding that balance and a subtle line to push it in a different direction, but not quite yet,” says McIntosh.

Her first challenge was the singer-turned-actor’s hair. “I wanted to make it leaner and more lifeless,” she says. But even though his hair was combed back, Mackintosh jokes, “I couldn’t have sex. Harry’s hair is full of volume.”

Eventually, I resorted to making a wig. “When he’s long and ragged, those were two pieces sewn together. When he has a short back and sides, I used the top of the wig and trimmed it to blend in with Harry’s sides and back,” McIntosh explains.

The pestilence turned out to be a blessing in disguise for Thorisdottir. When production was halted for two weeks, she had Styles grow a beard. Thorisdottir says she would “cut it to make it look crisp and sparse. We cut holes in it.”

The team frequently discussed ideas with Wilde about what to do with his character. One of the things that quickly got written off was the idea of ​​giving Jack a scar. Thorisdottir says, “It’s very obvious to do that. We felt that if there was a scar, we’d need a backstory about where he got it from and how it happened, and you wouldn’t understand why he did what he did.”

While brainstorming, Wilde suggested giving Jack acne, but Thorisdottir suggested going further and giving Jack’s character acne scars instead. Thorisdottir says, “I know people with acne scars, and some are very insecure and shy. So, I called Jason Collins.”

Collins, an Emmy Award-winning special effects makeup artist, created the acne scars that engulfed Jack’s real-life face. “He put them together really quickly, we tested them on Harry and he went for it,” says Thorisdottir.

Again, it was about finding a balance in the amount of youthfulness that gives Jack’s character, staying within Styles’ comfort level and making sure it wouldn’t distract from his acting. Thorisdottir went through different versions of building a face full of scars. You remember, “One [version] It was worse than the other. I remember he didn’t say anything, but I remember the feeling, maybe we’ve gone too far with that.” She adds, “I feel like we were able to tell the story with it. We weren’t trying to make Harry look bad, we were explaining his insecurities and why Jack is the way he is.”

Ariane Phillips’ costumes completed the look. Thorisdottir says the discussions centered around the required clothing size. “It was always hoodies and baggy clothes, like someone who didn’t want to be noticed,” she says.

Mackintosh adds, “Harry loved it. He really leaned into the character’s makeup. He had a lot of fun and was really up for it.”

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